Ibsen's play
stands as an example of modernbecause portrays truthfully theand the conflicts. The play lacks
sentimentality and romance of any kind. Nothing is glorified. There is no "happy
ending." The ending instead is rather shocking, given the society in whichlives, but it is
consistent with the way in which her character has been developed throughout the
drama.
The marriage between Nora andis presented realistically for what it
is: a sham. Nora points this out to her husband in the play's conclusion, explaining that they
have been "playing" at marriage rather than living in an authentic partnership of
mutual caring and sharing. Their home has been only "a doll's house." Ibsen shines a
strong light on the Torvalds' relationship, softening none of its aspects.
Torvald's character is treated realistically, as well, revealing his arrogance,
authoritarianism, and selfishness. His "concern" for his wife is not romanticized.
Torvald does not "take care" of Nora because he loves her; he "takes care"
of her only because he treats her as his inferior. In truth, he does not take care of her at
all. He only controls her, exercising his power over every detail of her daily life.
The play's conclusion is also realistic. As a genre, realism does not specifically
demand an "unhappy" conclusion, but it does demand a concusion that is consistent and
reasonable, given the circumstances. Nora's leaving Torvald is consistent with her character as
she has grown in self-awareness. The play does not offer a sudden "happy ending" with
Nora and Torvald falling into each other's arms. Even when Torvald swears he will change and
begs Nora to stay, she looks truth in the face and rejects his promises, placing no faith in his
integrity.
Ibsen does not glorify or romanticize Nora's leaving. She will be
separated from the children she loves, and she will have to make her way in the world alone.
Nothing in her life has prepared her for what lies ahead. Her future will not be an easy one.
There is no glory or sentimentality in A Doll's
House," only painful choices.
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