""
    is a satirical look into the potential dangers of our society's desire for equality. Ultimately,
    Vonnegut is posing that, at a certain point, egalitarianism risks turning into a cult of
    mediocrity, with any expressions of personal excellence dragged down by force to the common
    level. In this story, equality is ensured by the use of handicaps. What results from this
    practice is an absurd mockery of a society.
The character of Harrison
    Bergeron himself reflects Vonnegut's satirical edge. He is painted as an almost ludicrous
    figure: only fourteen years old, super-intelligent, super-athletic, and super-strong. This is a
    story where all qualities are pushed toward the point of absurdity, both in individual
    excellence (as exemplified by the dancers) as well as in the collective pressure to conform
    (which is exemplified by the society that surrounds them). Yet the dance ends abruptly through a
    chilling display of force, with the dancers gunned down and the orchestra forced to re-handicap
    themselves. This act of violence is all the more chilling when contrasted against the dreamlike
    distortion of the scene which preceded it.
"Harrison Bergeron" is a
    story that relies on exaggeration, but there are very real warnings and concerns at its core.
    This is a story about the dangers of conformity, posing a warning about what nightmares we might
    create should we overreach ourselves in our desire for equality, especially when that equality
    is backed up by the use of coercion and force.
 
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